Sample : Four Types of Double Tone “Black and White Print Paper” Tastes

Four Types of Double Tone “Black and White Print Paper” Tastes

When printing black and white film onto paper, you will find slightly differences tones and contrasts in expressions depending on the print paper. We have included tastes that can convert this into digital data as per your own tastes.

Cool, Gentle Black A blue black with weak tone.	Cool, Hard Black A blue black with strong tone.

Warm, Gentle Black A brown black with weak tone.	Warm, Hard Black A brown black with strong tone.

Sample : Five Kinds of Double Tone “Japanese Traditional Color” Tastes

Five Kinds of Double Tone
“Japanese Traditional Color” Tastes

We have picked up five colors from amongst “Japanese Traditional Colors,” and included tastes that provide a finish in this double tone style.
Double tone is a printing method in which one color ink is added to black and white photographs.

Indigo Blue This darkish blue is a color derived from the indigo plant used in “indigo dyeing” from ancient times on various textiles such as kimono, hanten and noren.	Rose Madder This dark red used for dyeing come from the root of the “Akane” plant, used for medicinal purposes and dyeing.	Turquoise Blue The color of leaves from thin leeks, this light green is slightly tinged with green or blue.

Mustard This light yellow looks like powdered mustard seeds.	Teak This orange, tinged with red, is made from squeezing out the juice of young persimmons and fermenting it.

Sample : SILKYPIX Film Taste

Two Kinds of “SILKYPIX Film” Tastes

We have included “SILKYPIX Film” tastes that you can use to give a feeling that you have chosen a film that meets the expressions of a film camera.

SILKYPIX FILM KIDS PHOTO Photographs that feature children can be expressed in soft skin tones for an overall soft finish.	SILKYPIX FILM VIVID One feature is the saturation when making the image. This wizard directs the subject of the photograph brilliantly.

Sample : Sweet Light Taste

Two Kinds of “Sweet Light” Tastes

We have included “Tastes” for creating photographs enveloped in a luscious, soft light overflowing with a sense of translucence. This taste can provide a feeling of the “Sweet Light” effect by setting the exposure to brightening. Exposure adjustments are not included in “Tastes,” so make your exposure adjustments after applying the taste.

Sweet Light Blue You can obtain the effect of a soft blue light over the entire image.	Sweett Light Pink You can obtain the effect of a soft pink light over the entire image.

Sample : Cine Film

Four Types of “Cine Film” Tastes

This taste reminds one of that one scene from a film that moves you from the depths of your memory.

Cine Film Retro Colors that invoke feelings of elegant simplicity, as well as the blues.	Cine Film Road Movie This features a thin yellow that moderates a high contrast color saturation.

Cine Film Western This features brown tones that remind you of westerns.	Cine Film 70’s This features tones that compress the highlighted area, with feelings of visuals from the 1970s.

Digital Cross Process

Four Kinds of “Digital Cross Process” Tastes

When taking photographs with film, there is a method, known as the cross process, for expressing portrayals that have extremely strong color development and clear contrasts by developing the film using developing solutions made for negative film on positive film. By using a different developing solution, you will not obtain appropriate colors or contrast, but you may find you have a quite tasteful finish. We have included four types of “Tastes” so that you can make images like this cross process under “Digital Cross Process.”

DCP Blue-Green Inverts the blue-green directions.	DCP Green Inverts the green direction.

DCP Red Inverts the red direction.	DCP Yellow Inverts the yellow direction.

Hard Monochrome

“Hard Monochrome” Tastes

One feature of the hard monochrome expression “Taste” is image making with a powerfully high contrast.
It can bring out both the mysterious and the dramatic even in those close-ups that you are used to seeing casually.
In addition, because there are cases in which expressions go to the extreme depending on the kind of subject and its condition, we have prepared high contrast expressions known as “Hard Monochrome” “Hard Monochrome Gray Tone” and “Hard Monochrome White Tone”.

Hard Monochrome Featuring extremely high contrast.	Hard Monochrome Gray Tone Featuring dark impressions that hold overexposure in check. This can be used when you want to feature graduations such as in the sky or ocean, which can easily be overexposed.	Hard Monochrome White Tone This brightens mid tones to the extreme. Use this for images with many shadowy regions.